التمثلات الفلسفية للفوضى الخلاقة في ديكوباج زهور الفنانة ماري ديلون

الملخص

The current research consists of four chapters: The first chapter consisted of the research problem, which was: What are the representations of creative chaos in the flower decoupage by artist Mary Dillon? The aim of the research is: to identify representations of creative chaos in the decoupage of flowers by the artist Mary Dillon. The time limits were: between (1772-1782) AD. As for the second chapter: it was in two sections: the first topic: applying creative chaos to the art of decoupage specifically, while the second topic: flowers by artist Mary Dillon. The researcher summarized the results of the previous investigations with indicators of the theoretical framework. As for the third chapter: A group of samples was chosen in a systematic, random way due to the fact that the population is homogeneous. The final number became (5) models for the research sample from the original population, amounting to (100), and the models for the samples were analyzed in a descriptive and formal manner. As for the fourth chapter: it included Results, conclusions, recommendations and proposals. Among the results reached :by the researcher were as follows All of the artist Mary Dillon’s works are characterized by a black -1 background to highlight the shape of the plant and flower and to emphasize .them as an essential element in the pictorial work Most of the artist’s works are characterized by relying on readily available -2 and cheap (messy) materials and using the technique of painting with .watercolors on scraps of paper The artist varied the shapes and types of flowers in her works, but the -3 .technique is the same, which is decoupage, the art of collage or assembly The decoupage technique achieved diversity in terms of materials and -4 colors, which led to an increase in plastic and tactile values, and it also .achieved visual richness with the creation of experimental solutions